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Muslims a part of
Australian pioneer history? What would Pauline Hanson say?
As a school child I visited my share of
museums. I recall that there were no reflections of
‘my tribe’ in the pioneer exhibitions that were very popular at
the time, unless you count a few camels and maybe, somewhere ‘lurking’
in the background (next to the Aboriginal tracker and the Irish cook), you
might spot an obscure figure wearing a turban. I knew that something was
missing, because, as I child, when I visited the Perth Mosque I often saw
two or three very old men sitting in the sun in the courtyard, nodding
gently while they pulled on their hookahs, kind men who gave me lollies
and money at Eid. I thought they were the oldest men in the world but my
parents told me they were real Australian pioneers who’d helped open up
the country. Nobody else seemed to know this…
In later years I visited Chinese
museums in Sydney, Melbourne and Bendigo. I noticed that there were Jewish
and Holocaust museums in Sydney and Melbourne, and also an Hellenic Museum
celebrating the ancient glories of Greece and the contribution of Greek
immigrants to Australia.
But where were the Muslims? Were
Muslims too ethnically diverse? We were good at building mosques and
schools, why didn’t we have a museum? Change, however, was not far away.
Recognition of the early Muslim presence in Australia first came in a
number of books published over the last fifteen years or so. Non-Muslim
historians, in the main, were discovering the pioneer connection. This in
turn led to a major exhibition of cameleers and their descendants today, a
project concept initiated by an Alice Springs anthropologist and the
curator of the South Australian Museum. The exhibition travelled around
Australia and fascinated visitors at Melbourne’s Immigration Museum and
many other venues. Some Melbourne people became convinced that it was time
for an Islamic city museum that would showcase the rich artistic heritage
and historical contributions of Muslims in Australia and overseas.
And so, at long last, in about
twelve months the Islamic Museum of Australia will open its doors in
Thornbury, 10 kms away from Melbourne’s CBD. But although ‘we’ may
have been slow out of the blocks, the IMA’s founders and board members
are not holding back and have already published a book together with a
documentary about the Australian Muslim connection. Boundless Plains,
a book of photographs and essays, as well as a documentary of the same
name were launched in late May by Yusuf Islam, of Cat Stevens fame. Masaay
Fahour’s account, ‘Opening Night Jitters’, describes the event in
this issue.
Certainly the spirit of the IMA
is already alive although its doors are not yet open to the public. When
it does open we can look forward to fascinating stories, interactive
displays and exquisite art exhibits that will provide an insight into the
Australian Muslim experience for tourists, school groups and other
visitors.
Many Australian Muslims are also
unaware of the significant role played by that first generation in opening
up the remote, dry areas of our country. One of the Muslim real-life
‘characters’ in the IMA documentary, in a moment of absolute candour,
reveals that, once-upon-a-time, he too knew nothing about the early men.
‘I thought Muslim history began when I arrived, in the 1970s,’ he
said.
Oh, I
do hope Ms Hanson receives an invitation to the Islamic Museum of
Australia when it’s officially opened.
Hanifa Deen
Editor
May 2012
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